Listening to another podcast by Joanna Penn this morning. I found this one particularly inspiring. Both Joanna and Michaelbrent Collings, who was interviewed in the podcast, appear to have the attitude towards writing and publishing that I happen to share:
When you write a book, this adds to an inventory. It’s that inventory, or creative capital, as I have heard people call it, that earns you a consistent and growing income. It’s not about one bestseller. It’s not about a flash-in-the-pan success (although I wouldn’t say no to it). It’s about having a large backlist for people to buy in a genre that is popular.
Anyway, I also liked his opinion on writer’s block. I’m not even sure what it is supposed to be. I don’t think I have ever had writer’s block.
Is it not knowing what to write? There are solutions for that.
There are days when I work that I don’t add much to the manuscript, but instead I think about how I will move forward with the plot. That’s useful time, even if I don’t put words on the page.
Personally, I am not much for writing crap for the sake of writing, but it works for some to get ideas coming. If I don’t know what to write, I don’t write until I do have an idea what I want with a scene. But the thinking, the planning and the reading are still working on the manuscript.
I also find daily word counts counter-productive, because I tend to start looking at the wordcount rather than at the scenes that need to be written.
I’m a pantser.
I write a scene.
I edit the scene until at least it’s clear to me how it ends and what the characters want in that scene.
Then I think about what is logical for them to do next, with the overall planned story ending in mind.
Then I write the next scene.
I make sure that what the characters are doing makes sense, and I build from that to the next scene.
I guess writer’s block would happen where you lose connection with your characters’ motivations and underpinning aims and you’re just writing by wordcount or by instructions from an outline.
To me, it always helps to go back to why the characters were there and what makes sense for them to do next.
If you do that, you will always know what to write.